Europe’s in-demand theatre director is also an avid cinephile. A dizzying exhibition joins the dots between his adaptations of arthouse movies – by Antonioni, Bergman, Cassavetes and others – staged with designer Jan Versweyveld Where does Ivo van Hove find the time? The ubiquitous Belgian director’s newly announced version of The Human Voice by Jean Cocteau will be staged in London in March, starring Ruth Wilson. His subterranean take on Tennessee Williams’ The Glass Menagerie, made for the Odéon in Paris, has just run at his ensemble’s home, the Internationaal Theater Amsterdam. Several of his shows for ITA’s repertory continue to tour. His epic revenge drama Age of Rage – about the Trojan war – is planned for spring at the Barbican, where his take on Thomas Mann’s Death in Venice was scuppered by the pandemic. He is one of Europe’s most in-demand stage directors, but while his reputation was made on radical, virtuoso versions of ancient Greek tragedies and weighty American dramas, his rise is also inseparable from his passion for cinema. Ingmar Bergman, John Cassavetes and Luchino Visconti are among the auteurs whose films he has reimagined for the stage with his partner, the designer Jan Versweyveld. Continue reading...
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