Hartwig Fischer said that removing the Parthenon marbles from Greece was a ‘creative act’ – but there is a logic to this provocative view that shouldn’t be dismissed out of hand The British Museum has tended to keep its lips sealed about its most controversial set of treasures: the sculptures removed from the Parthenon in Athens by Lord Elgin at the start of the 19th century. I know, because I’ve taken part in public debates to put its case – without anyone from the museum to back me up – most recently at University College London, which is so close to the museum that its curators would have only needed to pop around the corner to say their piece. Related: British Museum chief: taking the Parthenon marbles was 'creative' Continue reading...
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