[Eugene lee snl]Ron Manville Eugene Lee has been the "Saturday Night Live" production designer since the start of the show's first season in 1975. Yes, really, the whole time. At 77, he is one of the only original crew members still working, alongside "SNL" creator Lorne Michaels, who brought Lee in for the variety sketch program from a background in Broadway theater. Three Tony Awards, 12 Emmy nominations, and one Emmy win later, Lee continues to carry on his accomplished tradition in theater while also leading the "SNL" production-design team, week in and week out. "In live television, we're a throwback to the past," Lee recently told Business Insider. "We still draw up sets by hand, the old-fashioned way: drafting sheets, pencils, tracing paper. But some things have changed over the years, of course." Lee traced the evolution of the show over the course of its 42 seasons to us. In doing so, he revealed the inner workings of some of the best sketches in the history of the legendary series. HERE ARE THE BACKSTAGE SECRETS BEHIND SIX FAMOUS "SNL" SKETCHES: 1975: "THE WOLVERINES" NBC "Well, I naturally love the first sketch, 'Wolverines,'" Lee said. The first cold open on the first-ever episode, "The Wolverines" featured Jim Belushi as an immigrant receiving absurd English lessons from a tutor (Michael O'Donoghue). Lee outfitted the barebones set with nothing more than a rug, two arm chairs, an end table with a lamp, and a stairway — a no-nonsense setup for a theater designer who "didn't know anything about television." "In retrospect, it's like 'The Honeymooners,'" he said. "It's so simple. In the early years, the scenery was much simpler, and as time goes on, people want the scenery to be more realistic, more like a movie." 1978: "THE OLYMPIA RESTAURANT" (THE "CHEESEBURGER, CHEESEBURGER" SKETCH) NBC The famous Greek diner sketch starring Jim Belushi, Bill Murray, and Dan Aykroyd is reportedly based on the Bill Goat Tavern in Chicago, which is still around, but Lee says the look of the greasy-spoon set instead drew mostly from the "gritty" appearance of New York City in the '70s. "It's just our gritty version of a diner," he said. "I love the gritty, you know. I liked 42nd street when it was porn theaters. When we started 'Saturday Night,' New York was not in very good shape: subway cars graffitied over, Radio City Music Hall was basically empty." "And after all, these were the 'Not Ready for Prime Time Players,' and the original home base was a fantasy of mine of a club underground, and it was kind of junky," he continued. "We've always liked sort of industrial looks, but things have just gotten slicker." 1983: "JAMES BROWN'S CELEBRITY HOT TUB PARTY" NBC The classic sketch that featured Eddie Murphy as a singing and disrobing James Brown stepping into a hot tub was decorated with elaborate curtains and a real, operating, miniature hot tub. It was a relatively easy setup for Lee, thanks to his background in constructing Broadway stages. "When I laid out the studio originally, there was the home base in the middle, which changed over the years, and there were little stages," he said. "And the little stages were like 18, 19 inches high, maybe 2 feet high, so things like hot tubs and other things that we needed to go down, since it played on a little stage just like Broadway, you could just cut a hole and set it in, really very simple." SEE THE REST OF THE STORY AT BUSINESS INSIDER
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