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Welcome, 77 artists, 40 different points of Attica welcomes you by singing Erotokritos an epic romance written at 1713 by Vitsentzos Kornaros

Sunday, November 5, 2017

Women & Power: A Manifesto by Mary Beard – review

In tracing the roots of misogyny to Athens and Rome, Mary Beard has produced a modern feminist classic This book is a mere slip of a thing: at 115 pages, small enough to fit into the most diminutive of bags or even (should you be in striding out mood) the pocket of an overcoat. But size, in this instance, is irrelevant. There are two things you need to know about it. The first is that what Mary Beard has to say is powerful: here are more than a few pretty useful stones for the slingshots some of us feel we must carry with us everywhere we go right now. The second is that most of its power, if not all, lies in its author’s absolute refusal to make anything seem too simple. Even as she tries to be concise and easy on the ear – the book is adapted from two lectures, one given at the British Museum in 2014, and the other earlier this year – Beard knows that the matters with which she is concerned are extremely complicated. Before she arms you, then, she makes you think. In this sense, if no other, _Women & Power _deserves to take its place alongside Kate Millett’s _Sexual Politics_, the text that first suggested literature as a medium for consciousness-raising. Beard’s primary subject is female silence; she hopes to take a “long view on the culturally awkward relationship between the voice of women and the public sphere of speech-making, debate and comment”, the better to get beyond “the simple diagnosis of misogyny that we tend a bit lazily to fall back on”. Calling out misogyny isn’t, she understands, the same thing as explaining it, and it’s only by doing the latter that we’re likely ever to find an effective means of combating it. The question is: where should we look for answers? Beard acknowledges that misogyny has multiple sources; its roots are deep and wide. But in this book, she looks mostly (she is a classicist, after all) at Greek and Roman antiquity, a realm that even now, she believes, casts a shadow over our traditions of public speaking, whether we are considering the timbre of a person’s voice, or their authority to pronounce on any given subject. Continue reading...


READ THE ORIGINAL POST AT www.theguardian.com