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Welcome, 77 artists, 40 different points of Attica welcomes you by singing Erotokritos an epic romance written at 1713 by Vitsentzos Kornaros

Sunday, November 19, 2017

The 20 best animated films of the 21st century, ranked

[Toy Story 3 Pixar]Pixar Pixar and Studio Ghibli tend to spring to mind first when discussing great animation, but there’s a world beyond those two giants. Animated films have grown ever more artful and affecting as more and more folks realize that it’s never just been a medium for kids, with studios and indies alike creating stop-motion marvels, hand-drawn standouts, and CGI spectacles. The genre has grown so much since we entered the current century, in fact, that it can be easy to forget the Academy Awards didn’t even recognize animation until 2001. As few as three movies were nominated per year until 2010, but since then animation’s increased prominence has been reflected in the race’s competitiveness. Not every worthy movie could make the cut on either the awards circuit or this list, sadly, but rest assured that “The Red Turtle,” “Kubo and the Two Strings,” and “Ernest and Celestine,” to name just a few, are very honorable mentions. 20. “SITA SINGS THE BLUES” (2008) Nina Paley Nina Paley’s “Sita Sings the Blues” is a visual feast and an extremely personal attempt to make sense of and contextualize one of the most important works of Indian literature. The film is simultaneously an adaptation of and a commentary on the Ramayana, the epic Indian poem that tells the story of the prince Rama as he rescues his wife Sita from the demon king Ravana. Paley splits the movie into three narratives, each individualized through different animated techniques. The more straightforward adaptation of the story is rendered in the style of Rajput paintings and includes a Greek chorus that interprets the poem’s meanings. Another storyline tells a similar narrative to the Ramayana but sets it in modern day, proving the text’s timelessness. The final story thread introduces a musical number by a more active Sita, who modifies the original text by making herself more self-reliant. By putting the power in Sita’s hands and making her more than a damsel in distress, Paley ultimately makes “Sita Sings the Blues” a radical redefinition of a sacred work. It’s as impressive as it is daring. — Zack Sharf 19. “SHAUN THE SHEEP MOVIE” (2015) BBC/Disney Who would have thought that a “Wallace & Gromit” spinoff would end up being just as good — and, according to some well-meaning heretics, better — than the original series? Aardman Animation outdid itself with this quietly daring corker, which has a simple premise (Shaun and his fellow sheep cause much mischief during a day away from the farm) and wildly entertaining set-pieces. There’s essentially no dialogue — or at least none that can be discerned, as the sheep bleat in much the same manner as their real-world counterparts and the humans speak not unlike the grownups on “Peanuts,” which only draws more attention to the madcap, almost Chaplinesque goings-on. At this point it almost sounds like faint praise to describe an animated film as being just as entertaining for adults as it is for children, but “Shaun the Sheep Movie” makes good on that promise as few others do. — Michael Nordine 18. “ANOMALISA” (2015) Paramount Pictures "Each person you speak to has had a day. Some of the days have been good, some bad, but they’ve all had one.” Even with all the other pain and beauty in Charlie Kaufman’s foray into animation, this simple reminder stands out as one of his most profound musings. We may lose sight of ourselves and the object of our affection when we become infatuated with someone new — especially during a business trip in Cincinnati — but there’s a painful honesty to the way Kaufman portrays those swooning early moments. David Thewlis and Jennifer Jason Leigh are both stellar in their voice-acting roles, but the decision to have literally every other character be voiced by Tom Noonan may be the film’s true stroke of genius — it makes it impossible not to see Lisa the way Michael does. The film itself is an anomaly, of course, one made all the more special by its rarity. Learn from Michael’s mistake and cherish it even after it’s over and you’ve returned to the mundanity of daily life.  —MN SEE THE REST OF THE STORY AT BUSINESS INSIDER


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