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Sunday, July 31, 2022

Edinburgh art festival 2022 review – sunstruck blockbuster steals the show

A Greek chorus of clay busts, an audience with some molluscs and a magnificent show of impressionist masterpieces – including a couple of fakes – captivate The tales he tells of my oyster are so mesmerising – how it grew and where, what the shape, colour and undulating nuances of its black-and-white striped shell reveal about its decade of experiences – as to open up an oceanic history. My choice reveals an interest in art, he deduces, and we both know that he could continue to read character in this way, except that I am far more interested in the shellfish. This is the living memoir of the oyster. Hector Dyer’s readings (weekends only; book now, book swiftly) are part of IN THE EDDY OF THE STREAM, a beautiful exhibition at INVERLEITH HOUSE in Edinburgh’s botanical gardens concerned with the sea creatures, flora and fauna in the context of history and politics. Cooking Sections – Daniel Fernández Pascual and Alon Schwabe – shortlisted for last year’s Turner prize, have the upper galleries for a sequence of exquisite sculptures. What looks like a Roman mosaic floor is created entirely out of crushed seashells. What look like nets, ropes and chains are fashioned out of heather, kelp and purple moor grass on Skye. Continue reading...


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