With music that ended up crossing paths with Jay-Z, Donna Summer and Rotting Christ, the late Greek composer’s creative mind was thrillingly open Greek pop music of the 1960s is not an area of musical history where anyone who doesn’t fondly remember it first-hand is advised to dwell. There are a few exceptions – garage rock collectors have unearthed a string of obscure, impressively raw singles by the Stormies, the Persons and the Girls – but the archetypical mainstream Greek response to the rise of the Beatles might be Vangelis Papathanassiou’s band the Forminx, who dealt in novelty instrumentals, weedy Hellenic-accented stabs at Merseybeat and a side order of lachrymose balladry. The Forminx were successful in Greece, but it clearly wasn’t enough for Papathanassiou, who claimed his earliest musical endeavours involved experimenting, John Cage-style, with the sound of radio interference. After the Forminx broke up, he took up a career writing film scores before forming Aphrodite’s Child with another refugee from the Greek beat scene, singer and bassist Demis Roussos. Continue reading...
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