Special to The National Herald It seems that the Greek economic drama is taking a new turn. In 1862 Delacroix painted Medea when she was about to kill her children, because Jason (her husband) abandoned her for the sake of Glauce (the daughter of King Creon from Corinth). My fear is that as the numbers unfold in Greece, a new Medea is emerging that refuses to see reality, and in her cyclothymic ...
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