The work of the renowned Marxist historian Eric Hobsbawm ranged across revolutions and the centuries. Here are extracts from his major works on communism, war and jazz
On history
On 28 June 1992 President Mitterrand of France made a sudden, unannounced and unexpected appearance in Sarajevo, already the centre of a Balkan war that was to cost many thousands of lives during the remainder of the year. His object was to remind world opinion of the seriousness of the Bosnian crisis. Indeed, the presence of a distinguished, elderly and visibly frail statesman under small-arms and artillery fire was much remarked on and admired. However, one aspect of M Mitterrand's visit passed virtually without comment, even though it was plainly central to it: the date. Why has the president of France chosen to go to Sarajevo on that particular day? Because 28 June was the anniversary of the assassination, in Sarajevo, in 1914, of the Archduke Franz Ferdinand of Austria-Hungary, which led, within a matter of weeks, to the outbreak of the first world war. For any educated European of Mitterrand's age, the connection between date, place and the reminder of a historic catastrophe precipitated by political error and miscalculation leaped to the eye. How better to dramatise the potential implications of the Bosnian crisis than by choosing so symbolic a date? But hardly anyone caught the allusion, except a few professional historians and very senior citizens. The historical memory was no longer alive.
The destruction of the past, or rather of the social mechanisms that link one's comtemporary experience to that of earlier generations, is one of the most characteristic and eerie phenomena of the late 20th century. Most young men and women at the century's end grow up in a sort of permanent present lacking any organic relation to the public past of the times they live in. This makes historians, whose business it is to remember what others forget, more essential at the end of the second millennium than ever before. But for that very reason they must be more than simply chroniclers, remembrancers and compilers, though this is also the historians' necessary function. In 1989 all governments and especially all foreign ministers in the world would have benefited from a seminar on the peace settlements after the two world wars, which most of them had apparently forgotten.
The Age of Extremes, Little Brown, 1994
On communism
The months in Berlin made me a lifelong communist, or at least a man whose life would lose its nature and its significance without the political project to which he committed himself as a schoolboy, even though that project has demonstrably failed, and, as I now know, was bound to fail. The dream of the October Revolution is still there somewhere inside me, as deleted texts are still waiting to be recovered by experts, somewhere on the hard disks of computers. I have abandoned, nay, rejected it, but it has not been obliterated. To this day I notice myself treating the memory and tradition of the USSR with an indulgence and a tenderness which I do not feel towards communist China, because I belong to the generation for whom the October Revolution represented the hope of the world, as China never did. The Soviet Union's hammer and sickle symbolised it.
Interesting Times, Little Brown, 2002
On barbarism and progress
Before 1914, virtually the only quantities measured in millions, outside astronomy, were populations of countries and the data of production, commerce and finance. Since 1914 we have become used to measuring the numbers of victims in such magnitudes: the casualties of even localised wars (Spain, Korea, Vietnam) – larger ones are measured in tens of millions – the numbers of those driven into forced migration or exile (Greeks, Germans, refugees in the Indian subcontinent, kulaks), even the number massacred in genocide (Armenians, Jews), not to mention those killed by famine or epidemics. Since such human magnitudes escape precise recording or elude the grasp of the human mind, they are hotly debated. But the debates are about millions more or less. Nor are these astronomic figures to be entirely explained, and still less justified, by the rapid growth of the world population in our century. Most of them occurred in areas which were not growing all that fast.
Hecatombs on this scale were beyond the range of imagination in the 19th century, and those which actually occurred took place in the world of backwardness or barbarism outside the range of progress and "modern civilisation", and were surely destined to retreat in the face of universal, if uneven, advance. The atrocities of Congo and Amazon, modest in scale by modern standards, so shocked the Age of Empire – witness Joseph Conrad's Heart of Darkness – just because they appeared as regressions of civilised men into savagery. The state of affairs to which we have become accustomed, in which torture has once again become part of police methods in countries priding themselves on their record of civility, would not merely have profoundly repelled political opinion, but would have been, justifiably, regarded as a relapse into barbarism, which went against every observable historical trend of development since the mid-18th century.
After 1914 mass catastrophe, and increasingly the methods of barbarism, became an integral and expected part of the civilised world, so much so that it masked the continued and striking advances of technology and the human capacity to produce, and even the undeniable improvements in human social organisation in many parts of the world, until these became quite impossible to overlook during the huge forward leap of the world economy in the third quarter of the 20th century. In terms of the material improvement of the lot of humanity, not to mention of the human understanding and control over nature, the case for seeing the history of the 20th century as progress is actually more compelling than it was in the 19th. For even as Europeans died and fled in their millions, the survivors were becoming more numerous, taller, healthier, longer-lived. And most of them lived better. But the reasons why we have got out of the habit of thinking of our history as progress are obvious. For even when 20th-century progress is most undeniable, prediction suggests not a continued ascent, but the possibility, perhaps even the imminence, of some catastrophe: another and more lethal world war, an ecological disaster, a technology whose triumphs may make the world uninhabitable by the human species, or whatever current shape the nightmare may take. We have been taught by the experience of our century to live in the expectation of apocalypse.
The Age of Empire, Little Brown, 1987
On the cold war
The end of the cold war suddenly removed the props which had held up the international structure and, to an extent not yet appreciated, the structures of the world's domestic political systems. And what was left was a world in disarray and partial collapse, because there was nothing to replace them. The idea, briefly entertained by American spokesmen, that the old bipolar order could be replaced by a "new world order" based on the single superpower which remained in being, and therefore looked stronger than ever, rapidly proved unrealistic. There could be no return to the world before the cold war, because too much had changed, too much had disappeared. All landmarks were fallen, all maps had to be altered. Politicians and economists used to one kind of world even found it difficult or impossible to appreciate the nature of the problems of another kind. In 1947 the USA had recognised the need for an immediate and gigantic project to restore the west European economies, because the supposed danger to these economies – communism and the USSR – was easily defined. The economic and political consequences of the collapse of the Soviet Union and eastern Europe were even more dramatic than the troubles of western Europe, and would prove even more far-reaching. They were predictable enough in the late 1980s and even visible - but none of the wealthy economies of capitalism treated this impending crisis as a global emergency requiring urgent and massive action because its political consequences were not so easily specified. With the possible exception of West Germany, they reacted sluggishly – and even the Germans totally misunderstood and underestimated the nature of the problem, as their troubles wih the annexation of the former Geman Democratic Republic were to demonstrate.
The consequences of the end of the cold war would probably have been enormous in any case, even had it not coincided with a major crisis in the world economy of capitalism and with the financial crisis of the Soviet Union and its system. Since the historian's world is what happened and not what might have happened if things had been different, we need not consider the possiblity of other scenarios. The end of the cold war proved to be not the end of an international conflict, but the end of an era: not only for the east, but for the entire world. There are historic moments which may be recognised, even by contemporaries, as marking the end of an age. The years around 1990 clearly were such a secular turning point. But, while everyone could see that the old had ended, there was utter uncertainty about the nature and prospects of the new.
Interesting Times, Little Brown, 2002
On jazz
The sort of teenagers who were most likely to to be captured by jazz in 1933 were rarely in a position to buy more than a few records, let alone build a collection. Still, enough was already being issued in Britain for the local market: Armstrong, Ellington, Fletcher Henderson and John Hammond's last recording of Bessie Smith. What is more, shortly before the trade dispute stopped American jazz-players from coming to Britain for some 20 years, the greatest of all the bands – I can still recite its then line-up from memory – came to London: Duke Ellington's. It was the season when Ivy Anderson sang Stormy Weather. Denis [Preston, a cousin] and I, presumably financed by the family, went to the all-night session ("breakfast dance") they played at a Palais de Danse in the wilds of Streatham, nursing single beers in the gallery as we despised the slowly heaving mass of south London dancers below, who were concentrating on their partners and not on the wonderful noises. Our last coins spent, we walked home in dark and daybreak, mentally floating above the hard pavement, captured for ever.
Like the Czech writer Josef Skvorecky, who has written better about it than most, I experienced this musical revelation at the age of first love, 16 or 17. But in my case it virtually replaced first love, for, ashamed of my looks and therefore convinced of being physically unattractive, I deliberately repressed my physical sensuality and sexual impulses. Jazz brought the dimension of wordless, unquestioning physical emotion into a life otherwise almost monopolised by words and the exercises of the intellect.
Interesting Times, Little Brown, 2002
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